Do you remember how you first felt upon leaving the original The Matrix, that shell-shocked sense of having been given a heady glimpse into another fully formed world, that feeling of suddenly possessing dangerous and unearthly knowledge, that giddy realization that you’d just witnessed something intellectually breathtaking and truly original? Prepare for those sensations all [...]

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In my review of Rob Marshall’s Memoirs of a Geisha, I stated that the director had all the subtly of the Las Vegas Strip. What was meant as a disparaging condemnation for that film is actually a positive asset for his latest undertaking. When it comes to big, show-stopping musicals like Nine, I frankly want [...]

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